Revolutions 2019. Why does it matter?
Like most working people, I think often about my job and its
function. I am an artist. What do we
artists do? What is our responsibility? Are we doing enough with our work? How
and what are we contributing to the world? I tap back into those questions when
I’m curating the festival. I go back to the Revolutions mission: to bring work
from around the world to New Mexico, to provide and create opportunities to
experience other cultures and countries through theatre, to create a platform
for all voices so that we may listen and learn from each other.
Artists reflect the human condition. Artists open space and
teach empathy. Artists are truth tellers. We all need to be paying attention to
artists. We should listen not only to what
artists are saying but how, where, and why they are saying it. We learn about each other through these
performances, but then what do we do with that knowledge? We can expand our
understanding of the world, make choices, create change. When an artist who
feels marginalized says in a play, “THIS is how it feels when you dismiss me”,
we should turn to the task of looking at the ways we might be dismissive of
others. And then modify our actions to
value other perspectives, to create equity. When someone from another country shares
the story of their culture on stage, we should work to release the stereotypes
and question judgments we have accumulated from biased school lessons or
skewed and limited news reports.
New Mexico is a beautiful state with a rich culture with a
vibrant artistic scene from a diverse community. New Mexico is also the second
poorest state in the nation which creates ongoing challenges for artist support
and outreach. The exposure to global work is critical in teaching empathy and
examining history. The Revolutions Festival creates encounters with people who
may not have the chance to connect. Tricklock and Revolutions
are deeply committed to creating more powerful exchanges as we find our common
space in a world that often feels divisive and violent. Tricklock is also
committed to creating these encounters in New Mexico. As an Albuquerque based
theatre company, our access to high donors and multiple foundations is
extremely limited, but we are committed to the principle that dynamic theatre
happens across the United States, not only in large cities. We are also
committed to not allowing poverty and crime to become Albuquerque’s narrative.
Many residents of New Mexico do not have access to global artistic exchange
outside of Revolutions. It is a critical and vital program in the state of New
Mexico.
The beautiful thing about live performance is that it can
only happen when artists and audience are to share space together. Live
performance wakes us up and gets us into a room together. For a time, artist
and audience become one entity pursuing human understanding. When we see
courageous work on stage, we must also value the bravery in the audience. Agreeing to open yourself to the visceral
impact of stories and new ideas is vulnerable work. But if we are willing to
stay, to listen and learn, then we can leave a performance ready with new tools
to affect positive change in our community and around the world. Through these
theatrical interactions, we can decide to all work together on how our next
stories will be told.


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